13 posts tagged “magic”

Magic and study of occult arts successfully survived Renaissance and entered the Baroque era. And even more. ”Study of the occult arts remained intellectually respectable well into the seventeenth century”. It only gradually divides into the modern categories of natural science versus occultism or superstition. My research shows, that brilliant Age of Reason was on the rise in the seventeenth century, while belief in witchcraft and sorcery, and consequently the irrational surge of Early Modern witch trials, receded. This process only completed at the end of the Baroque period, somewhere around 1730s.

Contemporary scientists still met resistance, though. Christian Thomasius encountered fierce opposition as he argued in his 1701 Dissertatio de crimine magiae that it was meaningless to make dealing with the devil a criminal offence, since it was impossible to really commit the crime in the first place. In Britain, the Witchcraft Act of 1735 established that people could not be punished for consorting with spirits, while would-be magicians pretending to be able to invoke spirits could still be fined as con artists.

Several decades later, from 1756 to 1781, Jacob Philadelphia performed feats of magic, sometimes under the guise of scientific exhibitions, throughout Europe and Russia. Baron Carl Reichenbach’s experiments with his Odic force appeared to be an attempt to bridge the gap between magic and science.

Medieval authors, under the control of the Church, confined their magic to compilations of wonder lore and collections of spells. Many of them created quite a number of such compilations. Specifically Christianized varieties of magic were devised during this period.

In the early Middle Ages, the cult of relics as objects not only of veneration but also of supernatural power arose. Miraculous tales were told of the power of relics of the saints to work miracles, not only to heal the sick, but for purposes like swaying the outcome of a battle. The relics had become amulets, and various churches strove to purchase scarce or valuable examples, hoping to become places of pilgrimage. As in any other economic endeavor, demand gave rise to supply. Tales of the miracle-working relics of the saints were compiled later into quite popular collections like the Golden Legend of Jacobus de Voragine or the Dialogus miraculorum of Caesar of Heisterbach.

Alongside the more common manifestations of state religion, ancient peoples sought individual contact and assistance, along with influence, with the heavenly realms through other channels. Prominent among these means, of securing individual divine favor or influence, falls something that ancient authors and practitioners associated with the term “magic”. Associations with this term tend to be an evolving process in ancient literature, but generally speaking ancient magic reflects aspects of broader religious traditions in the Mediterranean world, that is, a belief in magic reflects a belief in deities, divination, and words of power.

The concept of magic however came to represent a more coherent and self-reflective tradition exemplified by magicians seeking to fuse varying non-traditional elements of Greco-Roman religious practice into something specifically called magic. This fusing of practices reached its peak in the world of the Roman Empire, in the third to fifth centuries of our era.

As I already mentioned before, magic as part of ancient history became one of most popular object of study and multiple researches for many scientists and enthusiasts, especially, in the last two decades. Magic is generally seen as a ritual or supernatural practice to influence the world, but distinct from religion or science.

In the ancient world of the Greeks and Romans, the public and private rituals associated with religion are accepted by historians and archaeologists to have been a part of everyday life. Ready examples of this phenomenon are found in the various state and ancient cult temples, Jewish synagogues and in the early Christian cathedrals and churches. These were important hubs for the ancient peoples of the Greco-Roman world that were representative of a connection between the heavenly realms and the earthly planes.

The Romans in fact went further then the Greeks in their condemnation and fearfulness that they generate around their concept of magic. Some examples of are found in the writings of Seneca, the philosopher and playwright, and his nephew, Lucan. Seneca selects some of the most gruesome Greek myths for dramatic treatment and he greatly adds to the negative connotations already applied to the theme of magic, necromancy and the like - where it is given by the mythical tradition and sometimes even where there is little negativity indicated towards magic. From dialogue between wife of the Hercules Deineira and her nurse we learn that it is quite common for jealous wives to consult a witch. It turns out, the nurse, very conveniently, is a witch herself. A great hero such as Hercules should not be able to be influenced by magical means, but in the end he is overcome by the deadly concoction that the evil magic user passes on to Hercules, through deceiving Deianira into the belief that she is giving Hercules a love charm.

In Seneca’s version Medea’s power of hating, which she can switch on and intensify at will is still the dominant theme, but Medea is now given a full cupboard of horrors from which to select the most efficient means of magical destruction. Her magic can even, apparently affect the cosmos, as she claims that she can force down the constellation of the Snake.

Much of ancient Roman literature dealing with magic are, basically, retelling of Greek myths. Roman poet Virgils’s Aeneid for example describes an interesting magical ceremony. The hero of the epic, Aeneas, who has landed on the coast of North Africa after fleeing from Troy, meets Queen Dido. She has just begun to build the city of Carthage. Dido falls in love with Aeneas, and wishes him to stay as her prince consort. The rest of what happens is easy to imagine. As usual, a traveling hero meets a beautiful female who is potentially dangerous, although kind and hospitable as long as her love for the hero lasts.

Thus the future conflict is set when goddess Fate decrees that Aeneas leave Dido to found a city of his own. Inevitably Dido’s love turns to hate. Enraged queen seeks to use a complex magical ritual to bring her former lover back to her. She builds a gigantic pyre in the main courtyard of her palace and prepares an elaborate sacrifice to the powers of the underworld. However Dido soon comes to realize that the love magic is not powerful enough to bring Aeneas back to her. So she kills herself in her despair, which adds to the power to her curse. Dido had sealed and extended her curse through her suicide. Aeneas was protected by his gods and remained safe. But, according to Virgil, Dido’s use of magic and her curse lingered on leading to Rome’s near crushing defeat by Carthage many centuries later. This demonstrates quite clearly that the Romans shared the Greek’s view of magic as being dangerous and untrustworthy.

I was always interested in the ancient belief in magic from the perspective of history. It was always amazing to learn how different cultures tried to attach to natural phenomenon supernatural powers. After all, magic, sometimes also known as sorcery, was formed as the whole conceptual system that asserted human ability to control the natural world, including events, objects, people, and physical phenomena, through mystical, paranormal or supernatural means. The term can also refer to the practices employed by a person asserting this influence, and to beliefs that explain various events and phenomena in such terms. Even today, as well as in the past, in many cultures, magic is under pressure from, and in competition with, scientific and religious conceptual systems. As a web analyst I had to go through so many Internet documents to understand how ancients view magic. I learned many things about magic when I was doing a new salvo of researches for my funeral home directory.

So, let's start with the land of magic, India. All in all, it has been often stated that India is a land of magic, both supernatural and mundane. Hinduism is one of the few religions that has sacred texts like the Vedas that discuss both white and black magic. There are Vedas  that deals with mantras that can be used for both good and bad. The word mantrik in India literally means "magician" since the mantrik usually knows mantras, spells, and curses which can be used for or against forms of magic. Many ascetics after long periods of penance and meditation are alleged to attain a state where they may utilize supernatural powers. However, many say that they choose not to use them and instead focus on transcending beyond physical power into the realm of spirituality. Many wizards, called siddhars are said to have performed miracles that would ordinarily be impossible to perform.

For many years Conan Doyle was friends with the famous American escape artist and magician Harry Houdini. Unlike the famous writer, Houdini was an opponent of the Spiritualist movement. His contempt for Spiritualism even doubled in the 1920s when his mother died. He was touring America and Europe making public speeches against mediums.

Houdini made his goal to publicly expose Spiritualist mediums as frauds and presented many examples as proof that they employed trickery fooling gullible people. But for some reason Houdini’s efforts had an opposite effect on his friend Conan Doyle. The famous author became utterly convinced that Houdini himself possessed supernatural powers. Conan Doyle even wrote a book about it. No matter how hard Houdini tried, he could not dissuade Conan Doyle. Harry unsuccessfully tried his best convincing Conan Doyle that his feats were simply magic tricks. In the end two friends had a bitter quarrel in public. This even ended their friendship and they never spoke to each other again.

Magic and study of occult arts successfully survived Renaissance and entered the Baroque era. And even more. As my coworker pointed out to me, ”study of the occult arts remained intellectually respectable well into the seventeenth century”. It only gradually divides into the modern categories of natural science versus occultism or superstition. My  research shows, that brilliant Age of Reason was on the rise in the seventeenth century , while belief in witchcraft and sorcery, and consequently the irrational surge of Early Modern witch trials, receded. This process only completed at the end of the Baroque period, somewhere around 1730s.

Contemporary scientists still met resistance, though. Christian Thomasius encountered fierce opposition as he argued in his 1701 Dissertatio de crimine magiae that it was meaningless to make dealing with the devil a criminal offence, since it was impossible to really commit the crime in the first place. In Britain, the Witchcraft Act of 1735 established that people could not be punished for consorting with spirits, while would-be magicians pretending to be able to invoke spirits could still be fined as con artists.

Several decades later, from 1756 to 1781, Jacob Philadelphia performed feats of magic, sometimes under the guise of scientific exhibitions, throughout Europe and Russia. Baron Carl Reichenbach’s experiments with his Odic force appeared to be an attempt to bridge the gap between magic and science.

More recent periods of renewed interest in magic occurred around the end of the 19th century, because Symbolism and other offshoots of Romanticism cultivated a renewed interest in exotic spiritualities. European colonialism, which put Westerners in contact with India and Egypt, reintroduced exotic beliefs to Europeans at this time. Hindu and Egyptian mythology frequently feature in nineteenth century magical texts. The late 19th century gave birth to a large number of magical organizations, including the Hermetic Order of the Golden Dawn, the Theosophical Society, and specifically magical variants on Freemasonry. The Golden Dawn represented perhaps the peak of this wave of magic, attracting cultural celebrities like William Butler Yeats, Algernon Blackwood, and Arthur Machen.

For most magic acts or rituals there existed counter-magic. Amulets were one of the most common protections used in the Greco-Roman world as protection against such fearful things as curses and the evil eye; which were seen as very real by most of its inhabitants. Amulets were often made of cheap materials, but precious stones were believed to have special efficacy. Many discovered thousands of carved gems clearly had a magical rather than an ornamental function. Amulets were a very widespread type of magic, because of the fear of other types of magic such as curses being used against oneself. Thus amulets were actually often a mixture of various formulas from Babylonian, Egyptian, and Greek elements that were worn by those of most affiliations so as to protect against other forms of magic. It is interesting to note that amulets are actually often abbreviated forms of the formulas found in the magical papyri.

Magical tools were thus very common in magical rituals. They were just as important as the spells and incantations that were repeated for each magical ritual. Direct evidence of this - a magician’s kit, probably dating from the third century CE, was discovered in the remains of the ancient city of Pergamon in Asia Minor. The find consisted of a bronze table and base covered with symbols, a dish, a large bronze nail with letters inscribed on its flat sides, two bronze rings, and three black polished stones inscribed with the names of supernatural powers. What emerges then, from this evidence, is the conclusion that a type of permanence and universality of magic had developed in the the Hellenistic period if not earlier. Most scientists agree that although many testimonies about magic are relatively late, the practices they reveal are much older.