5 posts from November 2008

As I already mentioned before, magic as part of ancient history became one of most popular object of study and multiple researches for many scientists and enthusiasts, especially, in the last two decades. Magic is generally seen as a ritual or supernatural practice to influence the world, but distinct from religion or science.

In the ancient world of the Greeks and Romans, the public and private rituals associated with religion are accepted by historians and archaeologists to have been a part of everyday life. Ready examples of this phenomenon are found in the various state and ancient cult temples, Jewish synagogues and in the early Christian cathedrals and churches. These were important hubs for the ancient peoples of the Greco-Roman world that were representative of a connection between the heavenly realms and the earthly planes.

Seneca’s nephew Lucan in his work surpassed his uncle in portraying the horrors and powers of witchcraft. In his play, just before the decisive battle of Pharsalus, in which Julius Caesar defeats the forces of Pompey, the two armies are moving through Thessaly, the country of witchcraft in Lucan’s work. Here one of Pompey’s sons consults a famous witch called Erictho about the outcome of the future battle.

Erictho is the most powerful of witches, and because she is so powerful she is presented as being quite loathsome and disgusting. Such are her powers that she can even compel some of the lesser gods to serve her and even cause them to shudder at her spells. As exaggerated as these plays are they demonstrate knowledge of magical practices found in the Greek magical texts. These works also shows that Roman audience must have easily understood the concept of magic in a negative sense but also in the sense of being a practice aimed at influencing or controlling the forces of the cosmos, even the gods themselves.

The Romans in fact went further then the Greeks in their condemnation and fearfulness that they generate around their concept of magic. Some examples of are found in the writings of Seneca, the philosopher and playwright, and his nephew, Lucan. Seneca selects some of the most gruesome Greek myths for dramatic treatment and he greatly adds to the negative connotations already applied to the theme of magic, necromancy and the like - where it is given by the mythical tradition and sometimes even where there is little negativity indicated towards magic. From dialogue between wife of the Hercules Deineira and her nurse we learn that it is quite common for jealous wives to consult a witch. It turns out, the nurse, very conveniently, is a witch herself. A great hero such as Hercules should not be able to be influenced by magical means, but in the end he is overcome by the deadly concoction that the evil magic user passes on to Hercules, through deceiving Deianira into the belief that she is giving Hercules a love charm.

In Seneca’s version Medea’s power of hating, which she can switch on and intensify at will is still the dominant theme, but Medea is now given a full cupboard of horrors from which to select the most efficient means of magical destruction. Her magic can even, apparently affect the cosmos, as she claims that she can force down the constellation of the Snake.

Much of ancient Roman literature dealing with magic are, basically, retelling of Greek myths. Roman poet Virgils’s Aeneid for example describes an interesting magical ceremony. The hero of the epic, Aeneas, who has landed on the coast of North Africa after fleeing from Troy, meets Queen Dido. She has just begun to build the city of Carthage. Dido falls in love with Aeneas, and wishes him to stay as her prince consort. The rest of what happens is easy to imagine. As usual, a traveling hero meets a beautiful female who is potentially dangerous, although kind and hospitable as long as her love for the hero lasts.

Thus the future conflict is set when goddess Fate decrees that Aeneas leave Dido to found a city of his own. Inevitably Dido’s love turns to hate. Enraged queen seeks to use a complex magical ritual to bring her former lover back to her. She builds a gigantic pyre in the main courtyard of her palace and prepares an elaborate sacrifice to the powers of the underworld. However Dido soon comes to realize that the love magic is not powerful enough to bring Aeneas back to her. So she kills herself in her despair, which adds to the power to her curse. Dido had sealed and extended her curse through her suicide. Aeneas was protected by his gods and remained safe. But, according to Virgil, Dido’s use of magic and her curse lingered on leading to Rome’s near crushing defeat by Carthage many centuries later. This demonstrates quite clearly that the Romans shared the Greek’s view of magic as being dangerous and untrustworthy.

I was always interested in the ancient belief in magic from the perspective of history. It was always amazing to learn how different cultures tried to attach to natural phenomenon supernatural powers. After all, magic, sometimes also known as sorcery, was formed as the whole conceptual system that asserted human ability to control the natural world, including events, objects, people, and physical phenomena, through mystical, paranormal or supernatural means. The term can also refer to the practices employed by a person asserting this influence, and to beliefs that explain various events and phenomena in such terms. Even today, as well as in the past, in many cultures, magic is under pressure from, and in competition with, scientific and religious conceptual systems. As a web analyst I had to go through so many Internet documents to understand how ancients view magic. I learned many things about magic when I was doing a new salvo of researches for my funeral home directory.

So, let's start with the land of magic, India. All in all, it has been often stated that India is a land of magic, both supernatural and mundane. Hinduism is one of the few religions that has sacred texts like the Vedas that discuss both white and black magic. There are Vedas  that deals with mantras that can be used for both good and bad. The word mantrik in India literally means "magician" since the mantrik usually knows mantras, spells, and curses which can be used for or against forms of magic. Many ascetics after long periods of penance and meditation are alleged to attain a state where they may utilize supernatural powers. However, many say that they choose not to use them and instead focus on transcending beyond physical power into the realm of spirituality. Many wizards, called siddhars are said to have performed miracles that would ordinarily be impossible to perform.